Monday, December 31, 2018

Game Outline for "Match Maker"

Match Maker

Looking for the right person can be so frustrating, so inconvenient! 

Don’t you wish you could just place an order for your perfect mate to be sent your door? 

With Match Maker, you can! 

Match Maker will make you a custom romantic match from scratch, according to the physical and mental traits you personally prefer in a human mate.

Just answer the following questions, provide us with your address and credit card information, and we will get started on growing your match right away. Expect delivery to your doorstep in only 3  business days! 

And satisfaction is guaranteed! If you are unhappy with your order for any reason, we will pulp it and grow you a new one.


I. Body Questions: 

      1. Chromosomes:
  • a. XY > penis 
  • b. XX > vagina 
  • c. XYZ > both  

      2. BMI:
  • a. 0.63 > skeletal 
  • b. 0.84 > firm 
  • c. 1.05 > bounteous 

      3. Melanin: 
  • a. pheomelanin/eumelanin > rosy 
  • b. pheomelanin=eumelanin > olive 
  • c. eumelanin/pheomelanin > coffee

      4. Metabolism: 
  • a. catabolic/anabolic > languid 
  • b. catabolic=anabolic > libidinous 
  • c. anabolic/catabolic > zealous

      5. Blood Type: 
  • a. AA/BB > A or B (passionate)
  • b. AB > AB (calm)
  • c. II > O (confident)

II. Brain Questions:


      1. Cerebellum: 

  • a. mossy > clumsy 
  • b. parallel > fluid 
  • c. climbing > quick  

      2. Frontal Lobe: 
  • a. orbital > circular 
  • b. triangular > diagonal 
  • c. opercular > acute 

      3. Amygdala: 
  • a. intercalated > hard 
  • b. central > empathetic 
  • c. basolateral > dramatic

      4. Linguistic Programming: 
  • a. convergent > scientific 
  • b. divergent > artistic 
  • c. subvergent > political 

      5. Pineal Gland: 
  • a. basophilic > yellow (choleric) 
  • b. interstitial > red (sanguine)
  • c. perivascular > black (melancholic)


Place your order today!

"It must be a match made by us ..." (c) MatchMaker Labs, All Rights Reserved.

Thursday, November 29, 2018

SAPPHIC SNAKES

Beautiful dutiful children bring me teeth,
and the body grows from ashes wet with tears.
“Answer windy whistles or close up your mouth!”
… breathing rooms of joy in this life are soon choked.
Railway spikes, a mattress for rust, the misplaced …
twenty snakes were seen down beneath the old boards.




Wednesday, August 29, 2018

Nothing Exotic: Rules for Speculative Realism


Speculative fiction consists in asking: what would our reality be like given a certain counterfactual change? But when that change is exotic in nature, a work becomes unrealistic if the author does not fully comprehend and cope with the consequences of the particular exotic factor. The result is the inherent incoherence of an unrealistic realism. This is why so much speculative fiction is terrible.

Let the exotic”—here used in the sense of the term “exotic matter” (which includes gravitons, tachyons, and other hypothetical phenomena for which there is no evidence)—mean that which would alter reality on a fundamental level if it were to exist. The exotic in this sense necessarily entails breaking some fundamental law that constitutes recognizable reality—in the same way that, as general relativity has shown us, the presence of mass affects the fabric of spacetime, the presence of the exotic must affect the fabric of reality. The scale of reality altered may be that of the entire universe, as with the allowance of time travel, or merely that of all life on Earth, as with the allowance of nonhuman intelligent life in our galaxy. 

For instance, time travel into the past is an exotic phenomenon because if it were possible, spacetime as we know it would not be possible: the arrow of time would not be constant, and everything dependent on its constancy, all of existence, would collapse. Or take first contact scenarios: if another sentient species existed in our galaxy, the odds are over three billion to one that every solar system would be cluttered with von Neumann probes, to the point where first contact and alien integration would already have occurred long ago—there could be no such thing as human civilization or even life as we know it on Earth. Or take warp speed travel (or the even more daunting task of constructing a stable wormhole): the entire mass of our sun bends spacetime by such a small degree (1.75 arcseconds) that warping spacetime on a lightyear scale would require the energy equivalent of trillions of suns—it will surely be many millions of years before our descendents harness such vast quantities of energy, if they even theoretically can. 

Given the best available evidence, it is astronomically unlikely that the exotic, as here defined, has occurred, could have occurred, or will ever occur. To posit it as an equally likely counterfactual is dishonest and irrational. Thus, because positing the exotic as an equally likely counterfactual is constitutive of most speculative fiction, most speculative fiction is itself dishonest and irrational. Without including the changes to reality that would necessarily result from the counterfactual presence of the exotic in it, all that can result is an irrational fairy tale, a fairy tale that denies what it is—there is no genuine speculation at play, and the claim to realism is false. Such fiction is in this way necessarily worse than literary realism, expressionism, and surrealism. Only realistic speculative fiction that excludes the exotic is worthy of the name.

Furthermore, against the clearly fallacious three laws of Arthur C. Clark, which are indicative of bad faith speculative fiction, we may instead state that: (1) there is no more warrant to doubt rational, fact-based scientific claims about what is impossible on the basis of prior similar claims that proved false than there is to doubt claims about what is possible on the basis of prior similar claims that proved false; rather, every claim must, as ever, be trusted or rejected solely on its own merits; (2) the possible tested through the impossible is indistinguishable from demonstrating that the impossible is indeed just that, i.e. a performance of modus tollens; (3) the belief that technology can and will advance limitlessly is indistinguishable from magical thinking.

Better than these counter-laws, though, let us make the following three prohibitions for a coherent Speculative Realism in fiction:

(1)  No exotic travel: through time, to other dimensions, through macro-scale teleportation, or at faster than the speed of light by any means.

(2)  No exotic minds: though alien sentience (within our galaxy), through organic psychic abilities, or through previously unrecognized sentient objects or lifeforms (minds produced through proven technology such as genetic engineering, brain-computer interfaces, or the known theoretical potential of AI are the exception).

(3)  No exotic powers: through zero-point energy, through unproven particles or phenomena, through extra-dimensional energy, through magic, or through unseen entities (proven sources such as fusion are the exception).

Sunday, July 15, 2018

Five Types of Fear (A Theory of Horror):

1. Worry: fear for a sympathetic character the reader/audience identifies with, e.g. a rookie female cop, in a misguided attempt to prove herself, enters a warehouse alone with only her flashlight and gets trapped inside by a homicidal cult. 

2. Revulsion: discomfort and desire to avoid disgusting or upsetting content, like rape or intensive gore, e.g. a large man captures and ties a little girl to a table and performs surgery on her eyes.

3. Shock: surprise at a sudden, unexpected occurrence or twist, e.g. a party looking for a missing woman finds nothing unusual or out of place in her house, when one member casually opens a closet door and out onto her tumbles a desiccated corpse.

4. Dread: general misery and anxiety about the fallen, hopeless state or the unchecked dangers of a world that could already be or could soon become our own, e.g. public executions are broadcast on billboard-sized screens around a city where all speech is monitored for “moral offenses.”

5. Terror: fear of a phenomenon or agency that is real or believed to be real and that represents a present mortal danger to the reader/audience (usually only viscerally effective with the more credulous, such as children), e.g. LOCK YOUR DOOR! THEY ARE COMING TO GET YOU!

Monday, January 15, 2018

"Peacock Therapy," part three

III.


Throughout the following morning—walking to Montauk High, squeezing down crowded hallways, sulking in first period study hall—Corbin had tried his best to keep his mind from straying back to the peacocks, or otherwise evoking a recrudescence of the image. The route from his house to the school a mile and half away ran along the same expressway that let onto the gravel thoroughfare to Peacock Grove. As he approached this turnout, Corbin practiced the first aversion technique Dr. Phillpots had showed him: he rapidly clenched and released his fists, inhaled deeply, and held his breath, so that a tingling began to work its way up his neck. This tingling permitted him to pass the turnout without surrendering to the urge to bolt down it, despite catching the far-off echoes of a peacock’s “nee-ooOWWw!”

In study hall, Corbin’s eyes wandered from the “Common Law and Constitutional Courts” chapter of his American Civics Now! textbook to a poster tacked up on a chalk-dusted corkboard in the corner. The infographic poster featured an array of Jurassic fossils, fine-print columns, and the title “Archaeopteryx: Very Early Bird,” all orbiting a central meter-tall painting of this interstitial creature. The painting’s vibrant cobalt feathers made Corbin nervous; he decided to deploy the second method he had learned from Dr. Phillpots, the covert conditioning technique of calling up negative counter-images to associate with the peacocks. He closed his eyes and imagined that the act of looking at a peacock provoked hot urine to spread across his crotch, as onlookers snickered. The prickling dread of this vision pushed him to return to his reading assignment.

By third period computer lab, Corbin’s worries began to pullulate. Neither the fist pumping exercise nor the urine vision were sufficient anymore to quell his desire to escape back to the peacocks. So he reverted to his own method of systematic desensitization: he pulled up a cache of peafowl picture files from a cloud drive and made hard copies on the color printer once the lab monitor stepped out. He also slipped a pair of steel sheers from the supply cabinet into his bag. At lunch twenty minutes later, he crouched on a dirt patch under a hawthorn tree, behind the cafeteria’s cement patio, and laid the pictures out around him. He pulled out covert feathers from the Grove and placed them beside the pictures. He then picked up one of the pictures, a photo of a peacock perched on a headstone outside a conical Yazidi shrine, and began cutting around the painted eyes at the tips of its raised train. 

“Nice strokes. Very smooth,” a breathy female voice spoke in Corbin’s left ear, raising the hair on his arms. The shears stopped cutting. Bending over him was Patricia Foxcroft, a sixteen-year-old sophomore Corbin had often watched with curiosity from the back of art class. Patricia had assiduously cultivated an arch goth couture: she wore licorice-black lipstick; her raven fringe lay straight across her pale forehead, over her sharply manicured eyebrows; an iron ring dangled from the leather choker around her neck; the silk laces on her knee-high boots matched those running up the back of her paisley-overlay corset dress and down her fingerless elbow gloves. Corbin caught the scent of anise as she knelt next to him and lifted one of his pictures between her long fingers. 

“Peacocks. Love peacocks. Did you know sometimes the males will fake orgasms with the females to attract more mates?” Patricia asked. She replaced the picture on the dirt and took up one of the covert feathers. Corbin opened his mouth to answer but said nothing. Patricia continued, “Actually, I’m planning on getting a tattoo of one of these, right here.” She bent the feather into a curl and held it against her bare thigh, above her boot collar. “What do you think?”

“Um, yeah, that—yeah,” Corbin stumbled.

“I wanted to ask you, your name is Corbin?”

Corbin nodded.

“Good. Well, Corbin, I heard from this bitch Aubrey that they caught you trespassing in a rich neighborhood, to get at the peacocks there, like you’re obsessed with them. Is that true?” The edges of Patricia’s mouth thinned into a smirk as she looked down at him with dark-magenta-rimmed eyes.

“Um, well, I—”

“Catch!” An object landed with a wet thud on a picture near Corbin’s knee. Corbin leapt to his feet, gripping the shears about the screw, when he saw what the object was: a bluebird carcass in the active stage of decay. It had been pulled up from the damp grass that had grown entwined with it. A family of sexton beetles scurried out from its ribcage, which was poking through clumps of ichorous gore and beige tufts. Half a dozen cerulean feathers remained fluttering from its stiff wings. Ants swarmed in the right eye socket. Corbin winced from the heavy putrescent odor.

“Oh shit!” Patricia covered her nose and doubled over laughing in the direction of her friend, Jasmine, who had thrown the decomposing bird. Jasmine stood a foot shorter then Patricia and wore an oversized Sex Spiders of Leng t-shirt that hung down to the cuffs of her black jean-shorts.

“What’s wrong? Don’t you love birds?” Jasmine sneered. Patricia snorted through her fingers.

Corbin held up the shears. “Stay away,” he warned.

As Jasmine put up her hand in defense, she raked her palm over the shears’ tip. “Ow! What the fuck?” She showed her scraped palm to Patricia as it began to bead with blood.

“I—sorry.” Corbin backed away and pinched the bridge of his nose. His sinciput was stinging again, signaling a return of the image. He turned and started off sprinting in the opposite direction, back toward the expressway. He was still gripping the shears, but he had abandoned the rest of his things at Patricia and Jasmine’s feet.

“Hey, get back here!” Jasmine yelled, but her voice was already faint in Corbin’s head.

Corbin ran until his chest burned. As he ran, his feet carrying him instinctively toward his destination, the shears hard in his hand, he watched, in his mind’s theater, moth-sized snowflakes flutter down around the peacock perched on the frozen lip of a tiered fountain. The peacock raised its full fan. It shuddered in its empyreal radiance.


Seven minutes later, Officer Mandy found Corbin face down in the roundabout. Pinned under his arched torso was a desperately squirming peacock. She noticed blood on the lawn, in sprayed droplets and trickling rivulets, near the peacock’s saddle.

Officer Mandy had been jolted awake in the microcar half a minute prior by savage squawks like none she had ever heard from the peafowl. She bounded out of the microcar toward the squawks. Most of the other peafowl were huddled at the edge of the roundabout, poking their heads between the citrus tree branches to peer out at their distressed comrade under Corbin.

At first it seemed Corbin had attacked the peacock. When Officer Mandy pulled him over by the shoulder, though, she discovered that the peacock was gripping his throat with its talons. As soon as the uninjured peacock yanked its train free, it sprung off Corbin’s chest and took flight in a low trajectory toward the other peafowl. A slit opened by the peacock’s spur ran down Corbin’s sternothyroid muscle. In his internal jugular gaped three puncture holes gouged by the attacker’s toes. Blood pulsed out of Corbin’s body. Officer Mandy reached for the roll of gauze in her belt’s trauma kit as she speed-dialed the paramedics on her phone’s CB handset attachment. While she pressed the damp wad against the wounds and waited for the ambulance, she noticed Corbin’s shears laying a yard away in the grass. He had dropped them there before reaching for the peacock.

Corbin would remain in a hemorrhage-induced coma for the next thirty-one hours. Soon after he awoke, following a successful transfusion, he was less relieved to learn that he would suffer no long-term impact from his injuries than he was to find that the urge to visit the peacocks had passed. The intruding image was gone.



A green peacock is said to have once killed a man in Bangkok, since a blood clot caused by the head gash it had inflicted resulted in its victim’s death—and peacocks at public parks have been known to wound small children and damage vehicles—but in its ferocity, the attack on Corbin was unique. Not only was the responsible peacock in this case not euthanized, though, but once identified and fitted with conspicuous bronze anklets, the residents of Peacock Grove celebrated it as their prized defender. Sir Galahad, as the peacock was known thereafter, spent its remaining days strutting between languors among the citrus trees and dips in the tiered fountain and posing for pictures with adoring residents and their guests, only occasionally charging at them in truculent fits of wrath.


(c) 1.15.2018

Sunday, January 7, 2018

"Peacock Therapy," part 3.2

III.

Throughout the following morning—walking to Montauk High, squeezing down crowded hallways, sulking in first period study hall—Corbin had tried his best to keep his mind from straying back to the peacocks, or otherwise evoking a recrudescence of the image. The route from his house to the school a mile and half away ran along the same expressway that let onto the gravel thoroughfare to Peacock Grove. As he approached this turnout, Corbin practiced the first aversion technique Dr. Phillpots had showed him: he rapidly clenched and released his fists, inhaled deeply, and held his breath, so that a tingling began to work its way up his neck. This tingling permitted him to pass the turnout without surrendering to the urge to bolt down it, despite catching the far-off echoes of a peacock’s “nee-ow-ow!

In study hall, Corbin’s eyes strayed from the “Common Law and Constitutional Courts” chapter of his American Civics Now! textbook to the poster tacked up on a chalk-dusted corkboard in the corner. The infographic poster featured an array of Jurassic fossils, fine-print columns, and the title “Archaeopteryx: Very Early Bird,” all orbiting a central painting of this interstitial creature. The painting’s vibrant cobalt feathers made Corbin nervous; he decided to deploy the second method he had learned from Dr. Phillpots, the covert conditioning technique of calling up negative counter-images to associate with the peacocks. He closed his eyes and imagined that the sight of a peacock compelled hot urine to spread across his crotch as onlookers snickered. The prickling dread brought on by this exercise finally pushed him to return to his reading assignment.

By third period computer lab, Corbin’s worries began to pullulate. Neither the fist pumping exercise nor the urine vision were sufficient anymore to quell his desire to escape back to the peacocks. So he reverted to his own method of systematic desensitization: he pulled up a cache of peafowl image files from a cloud drive and made hard copies on the color printer once the lab monitor stepped out. He also slipped a pair of steel sheers from the supply cabinet in his bag. At lunch twenty minutes later, he crouched on a dirt patch under a hawthorn tree, behind the cafeteria’s cement patio, and laid the pictures out around him. He pulled out two covert feathers from the Grove and placed them beside the pictures. He then picked up an image of a peacock perched on a headstone outside a Yazidi shrine and began cutting around the painted eyes at the tips of its raised train.

“Nice strokes. Very smooth,” a breathy female voice spoke in Corbin’s left ear, raising the hair on his arms. The shears stopped cutting. Bending over him was Patricia Foxcroft, a sixteen year-old sophomore Corbin had often watched with wistful curiosity from the back of art class. Patricia assiduously cultivated an arch goth couture: she wore licorice-black lipstick; her raven fringe lay straight across her pale forehead, above her sharp eyebrows; an iron ring dangled from the leather choker around her neck; the silk laces on her knee-high boots matched those running up the back of her paisley overlay corset dress and zigzagging down her fingerless elbow gloves. Corbin caught the scent of anise as she knelt next to him and lifted one of his pictures between her long crimson nail-tipped fingers.

“Peacocks. Love peacocks. Did you know that sometimes the males will fake orgasms with the females to attract more mates?” Patricia asked as she replaced the picture on the dirt and took up one of the covert feathers. Corbin opened his mouth to answer but said nothing. Patricia continued, “Actually, I’m planning on getting a tattoo of one of these, right here.” She bent the feather into a curl and held it against her bare thigh, above her boot collar. “What do you think?”

“Um, yeah, that—yeah,” Corbin stumbled.

“I wanted to ask you, your name is Corbin?”

Corbin nodded.

“Good. Well, Corbin, I heard from this bitch Aubrey they caught you trespassing in the rich neighborhood to get at the peacocks there, like you’re obsessed with them. Is that true?” Patricia’s mouth curled into a smirk as she looked up at him with her dark magenta-rimmed eyes.

“Um, well, I—”

“Catch!” An object landed with a wet thud on the picture near Corbin’s knee. Corbin leapt to his feet, gripping the shears about the screw, when he saw what the object was: a bluebird carcass in the active stage of decomposition, pulled up from the damp grass that had grown into it. A family of sexton beetles scurried out from between the ribs poking through clumps of congealed gore and beige feather tufts. Half a dozen cerulean feathers remained clinging to the stiff wings. Ants swarmed in the right eye socket. Corbin winced from the heavy putrescent odor.

“Oh shit!” Patricia covered her nose and doubled over laughing in the direction of her friend Jasmine, who had thrown the decaying bird. Jasmine stood a foot shorter then Patricia and wore an oversized Sex Spiders of Leng t-shirt that hung over the cuffs of her black jean-shorts.

“What’s wrong? Don’t you love birds?” Jasmine taunted. Patricia snorted through her fingers.

Corbin held up the shears and warned, “Get back.”

As Jasmine put up her hand in defense, she raked her palm over the shears’ tip. “Ow! What the fuck?”